-

下面是更多關(guān)于電影七宗罪英文影評(píng)的問(wèn)答

有電影《七宗罪》的英文影評(píng)或賞析嗎？？

七宗罪：、貪婪、懶惰、憤怒、驕傲、和嫉妒

講述一個(gè)瘋狂的兇手自認(rèn)上帝，天主教七大死罪的懲戒逐條實(shí)施，在追兇的過(guò)程中，新老兩界警探與罪犯斗智斗勇，最后卻出現(xiàn)了出人意料與令人深思的結(jié)局。

　　影片中的七樁案件忽隱忽現(xiàn)，若明若暗，不時(shí)有“山窮水復(fù)疑無(wú)路，柳暗花明又一村”的境界。片中對(duì)犯罪心理學(xué)做了詳盡的描述，而罪犯通過(guò)《圣經(jīng)》的道德審判來(lái)殺人，更具社會(huì)意義。一個(gè)警察最終成為兇手計(jì)劃的執(zhí)行者，這是對(duì)社會(huì)和人生的諷刺，還是對(duì)茫茫之中，天主那七大信條的不可抗拒，或是象征了這多罪該罰的人世間的混亂的生活秩序

誰(shuí)能給我提供《七宗罪》的英文影評(píng)��？

提示：《七宗的英文名叫做"Seven"，所以你找陸緩胡個(gè)英文搜索引擎( www.google.com 以),輸入關(guān)"movie seven comment"要多少就有多早攔少。下面就有一個(gè)： Director David Fincher doesn't want his audience to be comfortable for a moment while watching "Seven." Shaky camera shots, dark sets and a disturbing script that takes its characters to the extremes of emotion all contribute to the film creating a unsettled feeling that stays with you for a couple hours after the credits roll. The film begins with the overused premise of a young cop (Brad Pitt) being teamed for a murder investigation with an veteran on the verge of retirement (Morgan Freeman). The two quickly develop a tense disrespect for each other, Pitt being the cocky smartass type (who is nonetheless optimistic about the future) and Freeman the hardened, pessimist New Yorker who has seen it all. Their investigation of a bizarre murder, in which an obese man is forced to eat himself to death, turns into a hunt for a serial killer who uses the seven deadly sins -- gluttony, greed, sloth, pride, lust, envy and wrath -- as his calling card. The second victim, a rich lawyer, is the not-so-subtle tip off -- "greed" is written in blood on his carpet. What gives "Seven" it's unsettling impact is the way the film connects deeply with each character, even the victims who are never seen alive. Freeman, Pitt and Gwyneth Paltrow ("Flesh and Bone") as Pitt's wife are all in top form here and the audience comes to know them intimately -- whatever affects them, affects the viewer equally. This is especially true of Pitt, whose character struggles to maintain his optimism in the face of the horrors he sees. The killer is played, by a well-known actor who is not named in the opening credits (the producers want to keep his identity a surprize), with a calm but explosive demeanor conspicuously reminiscent of Anthony Hopkins in "Silence of the Lambs." Although very little of the violence in "Seven" is on screen, it is by design considerably more disturbing than a horror movie or more mild thrillers like "Misery." The tension is so well played that even though the unsatisfying conclusion becomes obvious a good 15 minutes before the climax, it doesn't diminish at all the churning feeling in the pit of you stomach as you leave the theater. Because of the way it assaults the emotions, seeing "Seven" should not be taken lightly. It's a difficult movie to forget.

急求電影《七宗罪》英文觀后感一篇~~~英文簡(jiǎn)單一些，本人英語(yǔ)水平不是很高謝謝!!

Seven," a dark, grisly, horrifying and intelligent thriller, may be too disturbing for many people, I imagine, although if you can bear to watch, it you will see filmmaking of a high order. It tells the story of two detectives - one ready to retire, the other at the start of his career - and their attempts to capture a perverted serial killer who is using the Seven Deadly Sins as his scenario.

As the movie opens, we meet Somerset (Morgan Freeman), a meticulous veteran cop who lives a lonely bachelor's life in what looks like a furnished room. Then he meets Mills (Brad Pitt), an impulsive young cop who actually asked to be transferred into Somerset's district. The two men investigate a particularly gruesome murder, in which a fat man was tied hand and feet and forced to eat himself to death.

His crime was the crime of Gluttony. Soon Somerset and Mills are investigating equally inventive murders involving Greed, Sloth, Lust and the other deadly sins. In each case, the murder method is appropriate, and disgusting (one victim is forced to cut off a pound of his own flesh; another is tied to a bed for a year; a third, too proud of her beauty, is disfigured and then offered the choice of a call for help or sleeping pills). Somerset concludes that the killer, "John Doe," is using his crimes to preach a sermon.

The look of "Seven" is crucial to its effect. This is a very dark film, the gloom often penetrated only by the flashlights of the detectives. Even when all the lights are turned on in the apartments of the victims, they cast only wan, hopeless pools of light.

Although the time of the story is the present, the set design suggests the 1940s; Gary Wissner, the art director, goes for dark blacks and browns, deep shadows, lights of deep yellow, and a lot of dark wood furniture. It rains almost all the time.

In this jungle of gloom, Somerset and Mills tread with growing alarm. Somerset intuits that the killer is using books as the inspiration for his crimes, and studies Dante, Milton and Chaucer for hints. Mills settles for the Cliff Notes versions. A break in the case comes with Somerset's sudden hunch that the killer might have a library card. But the corpses pile up, in cold fleshy detail, as disturbingly graphic as I've seen in a commercial film. The only glimmers of life and hope come from Tracy (Gwyneth Paltrow), Mills' wife.

A movie like this is all style. The material by itself could have been handled in many ways, but the director, David Fincher ("Alien 3"), goes for evocative atmosphere, and the writer, Andrew Kevin Walker, writes dialogue that for Morgan Freeman, in particular, is wise, informed and poetic. ("Anyone who spends a significant amount of time with me," he says, "finds me disagreeable.") Eventually, it becomes clear that the killer's sermon is being preached directly to the two policemen, and that in order to understand it, they may have to risk their lives and souls.

"Seven" is unique in one detail of its construction; it brings the killer onscreen with half an hour to go, and gives him a speaking role. Instead of being simply the quarry in a chase, he is revealed as a twisted but articulate antagonist, who has devised a horrible plan for concluding his sermon. (The actor playing the killer is not identified by name in the ads or opening credits, and so I will leave his identity as another of his surprises.) "Seven" is well-made in its details, and uncompromising in the way it presents the disturbing details of the crimes. It is certainly not for the young or the sensitive. Good as it is, it misses greatness by not quite finding the right way to end. All of the pieces are in place, all of the characters are in position, and then - I think the way the story ends is too easy. Satisfying, perhaps. But not worthy of what has gone before.

電影《七宗罪》的英文簡(jiǎn)介

既然文的，那就去IMDB找吧帆余晌，自己動(dòng)手會(huì)對(duì)你的水平有幫助！

：http://www.imdb.com/

七宗罪 影評(píng)

電影《七宗罪 影評(píng)

Mervin1996

大魚(yú)號(hào)

03-11

關(guān)注

梗概

電影講述的是警探薩默賽特和新調(diào)來(lái)的警探米爾斯二人合力偵查一起謀殺案，并引出一連串符合有關(guān)天主教教義中七種罪行的謀殺案。這期間兩位警探順藤摸瓜依據(jù)線索找到了嫌疑犯的住處，但卻被疑犯逃脫，米爾斯也命懸一線，險(xiǎn)些死于槍口。當(dāng)還差兩件命案之時(shí)，幕后的真兇卻前來(lái)自首，并最終把二位警探引入自己設(shè)下的最后圈套，米爾斯未能忍住喪妻之痛，將兇手殺死，而也正是米爾斯的這一“憤怒”舉動(dòng)，使得七宗罪行全部完成，兇手的計(jì)劃終得以實(shí)現(xiàn)。

電影《七宗罪》的原版海報(bào)

導(dǎo)演在電影短短120分鐘里將人性、社會(huì)和城市里等諸多的黑暗面加以呈現(xiàn)，讓觀眾觀賞之余又似乎壓力重重，三位主演精湛的演技，讓人拍案叫絕、峰回路轉(zhuǎn)的劇情，富有技巧和特點(diǎn)的攝影，灰暗濕冷的影調(diào)……這一切最終促成了《七宗罪》這部完美的電影的誕生。

敘事

首先不得不提的是該片精彩至極的故事。電影從一件謀殺案開(kāi)篇，引出了故事的主人公薩默賽特警官：一位老練的、富有敏銳洞察力和責(zé)任心的、卻又即將退休的警探，以及另一位剛落腳這座城市的主人公：一位年輕氣盛、雄心勃勃卻又脾氣暴躁古怪的年輕警探米爾斯。仿佛命中注定，二人沒(méi)過(guò)多久便接到了其他手法殘忍且類(lèi)似的多起謀殺案件的調(diào)查，經(jīng)過(guò)二人努力，他們發(fā)現(xiàn)這其中的聯(lián)系是天主教教義中的“七宗罪”，每一起案件的受害人都對(duì)應(yīng)不同的罪狀，比如暴食、貪婪等等。二人暗地里查到了嫌疑犯的住處卻不料被他逃跑，在追捕過(guò)程中米爾斯受傷并險(xiǎn)些被疑犯槍殺。而全片的高潮段落，是二人對(duì)案件的偵查陷入僵局之后，嫌疑犯約翰·杜自己前來(lái)自首，并把米爾斯和薩默賽特二人帶向自己設(shè)計(jì)好的最終圈套，約翰·杜因?yàn)榧刀蕷⒑α嗣谞査沟钠拮�，而他也深知，被激怒的米爾斯終將因憤怒，殺死自己而完成“七宗罪”的最后杰作，而薩默賽特則是這一杰作從頭至尾的“見(jiàn)證者”。影片的劇情行云流水卻又高潮迭起，扣人心弦，環(huán)環(huán)相扣，讓人無(wú)法挪開(kāi)眼睛。尤其是編劇將謀殺與宗教教義相互聯(lián)系，即增強(qiáng)了劇情的合理性和說(shuō)服力，又使其蒙上了一層宗教面紗而增加了神秘感，而這一手法也被之后的諸多電影和電視劇等所效仿。而影片結(jié)尾，薩默賽特警探所說(shuō)的一番話(huà)，更是讓很多影迷產(chǎn)生了疑問(wèn)和討論，發(fā)人深思。 本回答被網(wǎng)友采納

電影《七宗罪》觀后感及疑點(diǎn)

那個(gè)光頭犯人，在自首之前渾身是血，應(yīng)該是去到了，警察的家里，先把他老婆殺害了，然后做成包裹，告訴那個(gè)送貨的人，按地點(diǎn)時(shí)送到那個(gè)沙漠的指定

七宗罪影評(píng)？

基督撒旦的七個(gè)惡魔的形象來(lái)代表七種罪惡： 暴食(Gluttony)、貪婪(Greed)、懶惰(Sloth)、淫欲(Lust)、嫉妒(Envy)、暴怒(Wrath)、傲慢(Pride) 。

《七宗罪》使人們接觸帶到人性最黑暗的一面，盡管它是虛構(gòu)的，可是它的氣息已經(jīng)進(jìn)蘆鍵擾入了現(xiàn)實(shí)的思緒和情感之中。殺手的動(dòng)機(jī)是以宗教為名義的，在殺手的徹底瘋狂里似乎還有某種理智，這是最恐怖的事。運(yùn)用心理學(xué)的理論我們來(lái)分析殺手的殺人動(dòng)機(jī)。精神分析學(xué)派的代表人物弗洛伊德認(rèn)為人的本能有兩種：生的本能和死的本能。這兩種本能是人類(lèi)行為的動(dòng)機(jī)源。影片中的殺手正是在死本能的驅(qū)使下制造了一連串的兇殺案。在現(xiàn)實(shí)社會(huì)中，人們必須面對(duì)越來(lái)越多的壓力和應(yīng)亮慎激事件，當(dāng)個(gè)人防御機(jī)制無(wú)法緩解內(nèi)心的沖突和矛盾時(shí)，人們往往把死本能向外轉(zhuǎn)化，做出攻擊和傷害他人的行為。

有人說(shuō)《七宗罪》是對(duì)人性的警示，也有人認(rèn)為《七宗罪》是對(duì)現(xiàn)實(shí)生活中美國(guó)持續(xù)不斷發(fā)生的連環(huán)變態(tài)殺手事件的反映和體現(xiàn)。對(duì)我們來(lái)說(shuō)，重視人性的健康發(fā)展，宣揚(yáng)積極的人文思想，形成和諧的社會(huì)，才是我們工作奮斗的最終目的。人性，不應(yīng)該被淹沒(méi)在機(jī)械的工作中；人，不應(yīng)該是無(wú)感情無(wú)思想無(wú)人性的機(jī)器；人與人之間也不應(yīng)該只有相互攻擊、相互傷害的關(guān)系。或許在現(xiàn)實(shí)生活中，很少有人能完全做到不犯七宗罪的任何一種，但是保持著一份健康的心態(tài)、陪旦熱愛(ài)生活、尊重生命是我們能努力做到的。世界是美好的，我們應(yīng)該為此奮斗！

Tags：電影七宗罪英文影評(píng),有電影《七宗罪》的英文影評(píng)或賞析嗎？？,

轉(zhuǎn)載：文章來(lái)自用戶(hù)投稿不代表本站觀點(diǎn)，如有侵權(quán)請(qǐng)聯(lián)系我們。